SCENIC PAINTING
Built Set Installation - Production Designer 2026
Painted the walls yellow and then painted a large mural of veins using latex paint. The wall that the veins are painted on is 12'x10'.
I also created a small "in-progress" painting of raw meat to be used as set decoration; acryclic on canvas.
I sculpted four large organs out of papier-mâché and coated them with red latex paint, then dry brushed on top to bring out the texture.
Short Film with built assets - Head Scenic 2026
On this film, I was responsible for painting and aging the spaceship console. The designer requested a purple metal finish. To achieve this, I base-coated all of the pieces in purple and then applied several layers of dry brushing in different tones to make it look damaged.
Short Film with a built set - Head Scenic and Art Director 2026
Painted a custom-built desk various shades of pink along with a freehanded logo. The top of the desk was painted with a simple wood grain. The top, logo, and hot pink sides of the desk were painted with polycrylic to add shine!
Also painted an abstract swirl and star background on two of the set walls using latex paint.
Outdoor Theatre Production - Props Technician 2025
Painted two diamond patterned windows to be used-on stage. Painted on burlap with latex paint.
Short Film on Location - Head Scenic, 2025
For this film, I was responsible for aging 206 fake bones. Due to the material they were made of, each bone required sanding, priming, and several layers of washes to achieve a realistic and slightly aged look.
I also needed to create a wet blood effect on the rug. To achieve this, I added the blood with dark red paint and then added several layers of a glossy top coat. This way it was dry, but always had a wet shine to it.
Production Designer: Finley Stone
Art Director: Alyssa Cahan
Set Decorator: Karim Fatkhutdinov
Property Master: Grant Pierson
Construction Coordinator: Megan Snetsky
Lead Scenic: Ryan Favors
Backdrop Artist: Sage Park